Tusia Dabrowska works at the intersection of storytelling, performance and media. Reconfigurations and awkward pairings are at the core of her work. Her projects address geometries of dislocation, techno-alienation, and the diasporic experience. She is drawn to the unruly, errored and soft. Her work welcomes fissures in reality that invite speculative modes and imagine migrant futurisms.

In the Uttermost Boundary, on a brief visit to Bialystok, the birthplace of L.L. Zamenhof (the inventor of Esperanto), Tusia dreams of a common language.


Read Tusia's notes from her conversation with Pawel Lewicki, PhD, about the current migrant crisis on the Polish-Belarusian border near Bialystok.